The author – at work in more normal times!

The author

In March 2020 our lives changed dramatically. Suddenly we were stuck at home, had to take on caring or home schooling responsibilities, had to work from home or found ourselves being furloughed. I, an employed book and paper conservator, couldn’t work from home while libraries and archives were closed and so I was furloughed. But to me it became very clear that I wanted to continue doing something productive, and I realised that this was the time to learn and carry on with professional development. This is my Professional Development in Lockdown Diary.

At the beginning I was only planning to read a lot as this is something I rarely have time for. So I picked a few books from the comprehensive collection of the Chantry Library and started reading. It was great to sit in the garden and read, but I also realised that I need something else – contact with people! I was very glad that our team stayed in touch, so we didn’t feel isolated and lonely, but I was wondering how we could come together as a wider community of conservators. Luckily this was when Icon started the Conservation: Together at Home Series. After the first two fantastic webinars held by fellow Oxford-based conservators Andrew Honey and Fiona McLees from the Bodleian Libraries, I stuck with it and watched most of them until the time I started preparing to go back to work. I enjoyed being part of a community that wanted to share knowledge, learn, connect and stay together while being at home. I remember the talk held by Lorraine Finch, where people shared lots of helpful tips in the chat box, and the paper presented by Fletcher Durant about Conservation not being neutral, which led to an important conversation in the chat. It was great to see so many people from all over the world united.

I also developed a deeper interest in Preservation as I was thinking about how conservators keep collections safe while not being able to be on site as much. I started looking for recorded or live webinars regarding disaster planning, mould prevention and pest management and came across some great sessions by AIC & FAIC. That was also the time when the Preservation Week was taking place, and I was able to watch webinars offered by the Library of Congress, Illinois Library and the Northeast Document Conservation Center (NEDCC). In addition, I wanted to learn more about developing a sustainable approach as a conservator, so I watched the webinars by Sustainability in Conservation (SiC) and listened to the Conservators Combating Climate Change Podcast by AIC’s ECPN.

A platform that I started to use for my professional development was YouTube. I found more and more channels and playlists and realised one can spend hours on that platform as it always recommends related videos – you could go on forever! One of my favourite series was David Mill’s Lockdown Conservation Science, which was a great refresher of my chemistry lessons at University.

Throughout the whole period of Lockdown I was tracking what I read, watched and listened to. This really helped me to remember all those great resources and it also gave me the feeling I was actually doing something useful. I ended up with a really long Excel spreadsheet and a list of resources that I’m happy to share, in case someone is looking for ideas on how to educate themself further online. There is so much to discover on the World Wide Web!

Reading – a selection of books from the Chantry Library

Watching a webinar of the Icon Conservation: Together at Home series

Lisa Handke

Conservator, Oxford Conservation Consortium

MY LOCKDOWN PROFESSIONAL DEVELOPMENT RESOURCES

Reading/Chantry Library resources

Kunststoff-Folien in der Papierrestaurierung, 1950-1970 : Schwerpunkt Deutschland

Galinsky, Eva | Banik, Gerhard | Wächter, Wolfgang | 2001 | Leipzig : Zentrum für Bucherhaltung | 263 pages

The codex and crafts in late antiquity

Boudalis, Georgios, author | [2018?] | New York : Bard Graduate Center | xix, 181 pages

Gels in the conservation of art

Gels in Conservation Conference (2017), creator. | Angelova, Lora, editor | Ormsby, Bronwyn, editor | Townsend, Joyce, editor | Wolbers, Richard, editor | 2017 | London : Archetype Books | xi, 400 pages

The archaeology of medieval bookbinding

Szirmai, J. A | 1999 | Aldershot : Ashgate | xvi, 352 pages

Limp vellum binding and its potential as a conservation type structure for the rebinding of early printed books : a break with nineteenth and twentieth century rebinding attitudes and practices

Clarkson, Christopher| 2005 | Oxford : Christopher Clarkson | xii, 23 pages

Online resources:

ICON Together at HomeICON Together at Home

Other online resources LH – topics include: Preservation, Disaster Planning, Mould, Sustainability – plus miscellaneous conservation webinars, channels/playlists, and online courses

For the younger conservation professionals, I thought it might be nice to share some memories of the Chantry Library and Judith Chantry by those who knew and worked with her. For background to the Library and Judith, please see our website and the feature on Icon’s website here which includes a timeline of the library’s history.

I used the Chantry Library extensively when I was a student at Camberwell on the MA course from 1993 to 1995. I was lucky enough to do some summer work in Oxford and learned quickly that a visit to the library (then housed in the Ashmolean Museum) could be booked with Judith Chantry. I knew very little about Judith, how instrumental she was in the work of the Institute of Paper Conservation, that she had trained as a librarian, and that she had a very dry sense of humour. On my arrival Judith was lovely, put the kettle on, and wanted to have a chat about what I was reading. She warned me that the library was small, outside her window she had a thriving papyrus plant which she was very proud of. She was impeccably dressed, always in a skirt, often accessorized with a rather dashing scarf and her hair in a lovely chignon. She had a calm presence, wore her experience and knowledge lightly, and was hugely helpful and encouraging to a student conservator. I was interested in boardmaking, and she very kindly lent me Edo Loeber’s Paper Mould and Mould Maker, for which I was extremely grateful (PaH/Lo). (If you don’t know this work and are interested in papermaking, I encourage you to have a look.)

For 20 years, from 1979 to 1999, printmaker Barry Cottrell worked in Judith’s paper conservation studio at the Ashmolean Museum. Barry is an artist working in copper engraving, and for years supported his artistic work by cutting mounts for the Ashmolean. Barry shared Judith’s studio, cutting beautiful mounts by hand with his Dexter mount cutter. He recalls her kindness and support and has shared a photo of Judith in 1986, taken at an opening party for the exhibition of work by John Bensusan-Butt and Lucien Pissarro in the Ashmolean’s Eldon Gallery. Lucien Pissarro was Bensusan-Butt’s uncle by marriage and became his adviser and teacher throughout his career.

Barry carries on making beautiful engravings, using the burin as his main tool, and producing the ‘driven line’. One of his early prints, ‘His Master’s Dog’, inspired by the work of the fifteenth-century ‘Master of the Housebook’, is in the Ashmolean and British Museum print collections. It was printed on heavy watercolour paper made by the Two Rivers Paper Company of Somerset, still working today. You can read more about Barry’s work here and about Two Rivers Paper here.

Barry’s recent work includes the engraving ‘Satyr with conch holding a small ewer’, inspired by an engraving in the V&A by Italian engraver Enea Vico in 1543, depicting a satyr with a conch on top of a very large ewer, and his ‘Polka dot Madonna’ in 2020.

‘Satyr with conch holding a small ewer’ by Barry Cottrell

‘Polka dot Madonna’ by Barry Cottrell (2020)

If anyone has memories of Judith they would like to share please contact us!

Jane Eagan

Head of Conservation and Preservation

Oxford Conservation Consortium

As conservators – and librarians – prepare to go back to our workplaces along with much of the rest of the country we are likely to find them carefully marked up to remind us to maintain social distancing. Evidence has been spotted outside the Chantry Library (and for the avoidance of public transport).

If only this approach could be extended to other aspects of our work, for example to preventive conservation, it might open new possibilities – a more persuasive approach to “Integrated Pest Management”.

Fortunately – or not – this is unlikely to require a quick update of Amy Crossman and David Pinniger’s excellent new Chantry Library Subject Bibliography on IPM, mentioned in an earlier blog post, and available here.

Before more fanciful thoughts follow, we will end on a more serious note – with another quick reminder about the ICON resources and coronavirus guidance for conservators.

In just over a fortnight the Pest Odyssey Network is holding its annual meeting virtually on 8th July from 12:45-15:45. The title is ‘Pest Off with Covid and Other Stories’, and the implications for integrated pest management of the lockdown is a strong theme! Abstracts can be found at here.

Amy Crossman will be speaking about sources of information for the IPM practitioner, including the Chantry Library and What’s Eating Your Collections website. Amy has worked with David Pinniger to prepare the next Chantry subject bibliography on IPM. Their bibliography will be launched soon, so please watch this space!

To sign up for the meeting, go to: http://www.pestodyssey.org/pest-odyssey-2020.php

A short new topical C-19 blog post, for libraries and archives looking at reopening in the near future. It may not be the first thing librarians, archivists, or conservators are thinking about, but the period of lock-down has implications for the conservation of collections, and ICON has help to offer as collections are “woken up”:

https://icon.org.uk/news/waking-up-collections-a-post-lockdown-guide

The ICON Care of Collections Group in coordination with Heads of Conservation and Scientific Departments in National Museums, Galleries, Libraries and Archives Group has published a document with guidelines: ‘Waking up’ collections: a post-lockdown guide. Do have a look if your library/archive is preparing or planning to reopen.

It’s May 29^th: Restoration Day (in the past a public holiday) – or more popularly Oak Apple Day, in tribute to the colourful account of the future Charles II escaping from the Parliamentarians after the Battle of Worcester by hiding in an oak tree.  While not all book/paper conservators will necessarily celebrate the restoration of Charles and the monarchy after the Interregnum we do like an oak gall or oak apple, or anything to do with ink! In case you didn’t know oak galls (and other galls) were used to make the standard/common ink used in Europe from the first millennium till the 19th century.

During our walks and breaks we’ve found quite a few examples of oak galls of different sorts, and even a live gall wasp.

The Woodland Trust has put together a good identification guide:

https://www.woodlandtrust.org.uk/blog/2018/07/galls-to-spot-this-year/

And the Chantry Library has Edward T. Connold’s 1908 classic British Oak Galls, gifted to the library in 2018. Connold, an amateur scientist who earned his living as a grocer, is credited with discovering new galls e.g. on plant roots, and wrote various other volumes on the subject. His plant gall collection was left to the Hastings Museum.

Following in quick succession to February’s post about the subject bibliography on woven fabrics and last month’s on Islamic slipcases we can present the fifth in our series of Chantry Library Subject Bibiographies. This one covers enamalled metals, and has been compiled by Dana Norris – a long-standing supporter of the Library. The current chair of the Icon Ceramics & Glass group, Dana is an active conservator as well as a researcher, completing a doctoral project focused on Chinese enamels on metal, in particular the technology and conservation of Chinese painted enamels. Her bibliography, however, ranges beyond that focus. So if you want to save time getting in to the conservation of enamelled metals this is a great place to start. The bibliography itself can be found at this link. We are very grateful to Dana for putting it together in the latter stages of her research degree – many thanks!